KRE

What's the most terrifying thing in the world? It's not ghosts. It's not demons. But rather finding out that the people living around you have been secretly replaced. The appearance and manner of the TA is exactly the same as the person you are familiar with, but only you know that there is an unknown monster hidden within that human body. Chen Heng realises that his mother is really not her. He alone confronts with the terror, but discovers the more shocking and dreadful other side of the world, hidden within the everyday life.

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She’s young, single and about to achieve her dream of creating incredible videogames. But then life throws her a one-two punch: a popular streamer gives her first game a scathing review. Even worse she finds out that same troublesome critic is now her new neighbor! A funny, sexy and all-too-real story about gaming, memes and social anxiety. Come for the plot, stay for the doggo.

In 1968 Kresse illustrated various stories by Anton Kuyten for Pep about Native Americans. The first two were titled 'De Schreeuw van de Dondervogel' (1968-1969) and 'De Indiaanse Opperhoofden en Hun Oorlogen' (1971-1973). In the same genre Kresse reprised 'Matho Tonga' but under a different title, 'De Laatste der Mandans', followed by other comics about Native American chiefs, such as 'De wraak van Minimic' (1970), 'Mangas Coloradas' (1971-1972, script by Kuyten) and 'Wetamo' (1972-1973). The artist actually enjoyed drawing stories about Native Americans more than 'Eric de Noorman'. In 1972 he made a deal with publisher Casterman to create a comic series which can be best described as a saga about an Apache family. It follows them throughout the ages as they are confronted with colonial settlers. Ten stories in total were created: 'De Meesters van de Donder' (1973), 'De Kinderen van de Wind' (1973), 'De Gezellen van het Kwaad' (1974), 'De Zang van de Prairiewolven' (1974), 'De Weg van de Wraak' (1975), 'De Welp en de Wolf' (1976), 'De Gierenjagers' (1978), 'De Prijs van de Vrijheid' (1979), 'De Eer van een Krijger' (1982) and the unfinished story 'De Lokroep van Quivera'. The series never received any other name but the 'Indianenreeks' (the 'Indian series') and was recognizable by a font sporting the head of a Native American chief in the upper right corner of every book. While translated in more than ten countries, it never sold well. Yet 'De Welp en de Wolf' did win the Prix Alfred for "Best Foreign Comic Book" (1977) at the International Comics Festival of Angoulême.